︎ Information
︎︎︎works + shows
︎ Prelude: Three Minutes to Midnight, Palmer Gallery
︎︎︎ The Third City, Casa Cultura Mario Quintana
︎︎︎Concreto Sobre Agua (Casa Lu)
︎︎︎ Supersublime, Giant Gallery
︎︎︎ Slade Degree Show 2023, My Battery is Low and it’s Getting Dark
︎ I’ll be seeing you
︎︎︎ Lovely View
︎ CANON!
︎ 3 Minutes to Midnight
︎ Plasticity Bundle
︎ a confused mass
︎︎︎ If Dolphins had Thumbs
archive
︎︎︎ Writing (on games)
︎︎︎ Spooky Corridors, Companions and Ahumanism: A Literal Gameplay of Uma Breakdown’s Animal Agency (2021)
︎︎︎ Emotional Gaming: The Ultimate Unity of Hideo Kojima’s Death Stranding (2022)
︎ Collaborations
︎BODIES - Ray Young, Forma HQ Commission 2023
︎︎︎ Charlotte Dos Santos - Morfo 2022
︎︎︎Delilah Holliday - Collective Consciousness 2021
︎︎︎ 3D for Transmissions (for Tarek Lakhrissi’s episode)2020
︎ Benee - Superlownely - Universal Music Group 2020
︎︎︎Art Night, 2018
︎ The Fifth Sense, i-D 2016
︎︎︎ Visual Identities
︎︎︎ Visual Ident for Spiral Jetty, Club Night, 2023
︎︎︎ Visual Ident for Lazarus, Club Night, 2023
︎︎︎ Visual Design for Theatrum Mundi Podcast Series, 2021
︎︎︎ Boiler Room Visual Identity, Underground Now, 2017
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Artist/3D designer living and working in London.
Previous: Creative Media Relationship Manager at Arts Council England.
Installations of work from 3 Minutes to Midnight exhibited as part of Canon! with Hymodernity and Frieze and as part of Lovely View at Way Out East.
The project takes its starting point at the moment in 2007, when climate change was added as a factor affecting the Doomsday Clock. The Doomsday Clock was introduced in 1947 by the Bulletin of Atomic Scientists and is a metaphorical, non-linear clock which represents scientists’ estimation of how close we are to global catastrophe. In 2007, the Bulletin expanded the clock to include climate change as one of the greatest man-made threats to humankind. At that point, the time jumped to 3 minutes to midnight.
The project will inhabit this temporality, the time of impending apocalypse, a time in fairytales associated with the breaking of a spell and a time that relates to our age commonly referred to as the Anthropocene; a time of great urgency and consequence. Research into Haraway’s articulation of the Chthulucene will inform the work along with a more focussed interrogation of multi-species survival with a particular focus on fungal networks and interspecies communication.
The project is funded by Arts Council England
Research as part of a residency with De:Formal Gallery.
Interview with De:Formal - https://www.deformal.com/artists/sophie-rogers
Copyright © 2015 - 2024
Sophie Rogers.
All Rights Reserved.
Sophie Rogers.
All Rights Reserved.