︎ Information
︎︎︎works + shows
︎︎︎ Supersublime
︎︎︎ Slade Degree Show 2023, My Battery is Low and it’s Getting Dark
︎ I’ll be seeing you
︎︎︎ Lovely View
︎ CANON!
︎ 3 Minutes to Midnight
︎ Plasticity Bundle
︎ a confused mass
︎︎︎ If Dolphins had Thumbs
︎︎︎ Writing (on games)
︎︎︎ Spooky Corridors, Companions and Ahumanism: A Literal Gameplay of Uma Breakdown’s Animal Agency (2021)
︎︎︎ Emotional Gaming: The Ultimate Unity of Hideo Kojima’s Death Stranding (2022)
︎ Collaborations
︎BODIES - Ray Young, Forma HQ Commission 2023
︎︎︎ Charlotte Dos Santos - Morfo 2022
︎︎︎Delilah Holliday - Collective Consciousness 2021
︎︎︎ 3D for Transmissions (for Tarek Lakhrissi’s episode)2020
︎ Benee - Superlownely - Universal Music Group 2020
︎︎︎ Art Night 2018
︎ Boiler Room / Underground Now 2017
︎ The Fifth Sense, i-D 2016
Artist/3D designer living and working in London.
Bundles made for Electric Artefacts
Plasticity Bundles, 2020
Rogers has been researching theories around plasticity, particularly those explored by Catherine Malabou. Malabou writes about ecological plasticity, which is centered on how an organism relates to its surroundings. Sophie uses digital software including Cinema 4D to create simulations of imagined places and scenes often inspired by world-building practices found in sci-fi. Her work for Electric Artefacts, The Plasticity Bundles combines CGI imagery of imagined hybrid creatures with research into the “everlasting synthetic intrusion on the natural marine ecology” as described by Susan Freinkel in her book Plastic: A Toxic Love Story.
Copyright © 2015 - 2021
Sophie Rogers.
All Rights Reserved.
Sophie Rogers.
All Rights Reserved.